No waiver of any copyright or trademark right is intended.ĭistribution of authorized Sean Canan's Voodoo Players recordings (as above) is permitted, provided that all exchanges are equal no money may change hands and no extra media shall be included as a condition of copying a recording. We reserve the right to withdraw our sanction of recording, tape trading, and/or non-commercial digital audio file transfers on a case specific basis or in general, as we deem necessary. The privileges to record Sean Canan's Voodoo Players performances set forth in this policy constitute an express, revocable license.
#KANE DEAD RECKONING COMPUTER ARCHIVE#
The use of any audio recordings that was obtain at the show or downloaded from Live Music Archive for the purpose of pairing video with sound will fall back on the initial permissions granted for Pro-Video Recording.Īll Sean Canan's Voodoo Players performances and recordings are the exclusive property of Sean Canan's Voodoo Players. Permissions will be granted pending approval. Please notify the band if videos will be used on a commercial platform that is for-profit. Pro-Video Recording will be at the discretion of the band and all video will be made available for the band to review post show for their own personal use, promotions and future use. Soundboard access and/or power supplies are only available at the venue's/soundman's discretion, and are not always feasible provisions, so best to bring your own mics and power if you want to record the show. Happenings for posterity or other personal use. We feel that each show is unique and that there are some who wish to capture the night's Sean Canan's Voodoo Players allows audio taping at almost every live performance. Sean Canan's Voodoo Players is a taper friendly band that encourages their fans to audio record their performances for personal, non-commercial, home enjoyment. L would like to be hosted on Live Music Archives under the name Sean Canan's Voodoo Players.
RIGHTS On January 25, 2016, permission was granted to the LMA by Sean Allen Canan:
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